
Recessed lighting accentuates a sleek design and contemporary touches. The Palace Kämp property peddles more than a good night’s sleep. Like many boutique hotels, it capitalizes on the allure of its brand identity to pursue revenue beyond room rate alone. In another city, in another country, the fluffy tiger may roar to life and rekindle memories of seductive luxury. The tee-shirt and bathrobe will (re)cover and cuddle anew. For a price.
It took but two hours to cross the Baltic Sea’s Gulf of Finland from Tallinn. The Tallink ferry that I imagined to be a standard-issue affair of modest proportions turned out to be a grand ship. Comfy café seating has replaced the traditional rows of institutional plastic chairs. A three-storey atrium reaches from the sixth floor to the ninth and arches over a stage and dance floor. Simon and Garfunkel’s “Bridge over Troubled Waters” kicked off the entertainment, a choice that puzzled me given the nautical nature of the voyage. The Tallinn memorial to the 1994 sinking when hundreds perished came into (sharp) focus.
Fast images of Formula 1 race cars on television monitors reposition my morbid anxieties to the KL circuit for the Malaysia Grand Prix. Fresh from his fist success in Melbourne, Jenson Button would go on to score another win with his Brawn Mercedes, albeit abbreviated when officials stopped the race because of torrential rains after 31 of 56 laps. (He would place third in Shanghai two weeks later but retain the overall lead.) The roar of engines capable of displacing zillions of horsepower tickles me greatly. Formula 1 races don’t come around every week (never, in fact, in the US) but every time I receive a call my phone throttles to life. It also vibrates nicely.
Tallink throws in free wireless internet access and I composed my first high-sea missives on mango. With 60 EEK left in my pocket I studied ways to spend them in one of the cafeterias. Prices are expressed in Estonian crowns and European Union euros, which the clerk allowed me to combine.
I expected a touch of Cold War nostalgia – somber skies, vertiginous waves and low fog - to shroud the transition between the East and the West but the seas were calm and free of international incidents. Except for the disturbing sight of a massive amount of garbage floating off the coast of Helsinki. As the ferry sailed closer I realized chunks of ice littered the ocean beyond the ships’ blue windows.

A short cab ride later (short but pricey at 15.30€, thanks to an inflated Sunday flag charge) I dropped my bags at my GLO chateau. It is the second time I find myself in Helsinki in a few days. I had time for a smoked salmon and longonberry on rye chased by a cappuccino when I waited for my connecting flight to Tallinn at the airport. I could go for the same menu right now. An abridged stay forces me to ditch my room’s creatures of comfort and venture out into a chilly spring afternoon that everyone else welcomed with relief. Food and drink anybody?
The second northernmost capital in the world (Reykjavik takes the honors), Helsinki bathes in a bitter climate on the same latitude as Seward, Alaska. The capital sits in the comparative warmth at the very southern end of the country. From there meteorological conditions don’t improve. The city of Rovaniemi, at the Arctic Circle, is 830 kms away. A full quarter of Finland - mostly the province of Lapland and lots of reindeer - lies above this line. It is another 280 kms to Ivalo where an arcing finger of Norway meets Russia and cuts off access to the Berents Sea. The Saami, the last indigenous people in Europe, hang around these parts. I suspect a visit to Helsinki conjures visions of tropical heat...





Minutes later I observe the ferry plow over ice floes and it head towards Suomenlinna, an island fortress that occupies a prominent spot in the Finnish consciousness. Its strategic location made it attractive to Sweden, which ruled the country for four centuries until 1809 when it ceded it to Russia. A century later, enterprising Finns seized the opportunity to divest themselves from a budding Soviet Union distracted by the events of the 1917 revolution.
The island showcases fortifications, churches and museums in a lovely park setting that is sure to become lovelier when the thermometer leaps far past the freezing point I summer. The third week of July is ideal, I hear. The visitor center, 800 meters from the landing dock, was on the verge of closing, too. Nice interpretive displays but with signs in Finnish and Swedish only, the country’s two official languages although speakers of the former dominate. A century of Russian rule did not endear the population to the language. It would have been a third unrelated possibility as Finnish and Swedish share no linguistic antecedents. Like Estonian and Hungarian, Finnish belongs to the Finno-Ugric language family, a collection of dispersed relatives that traces its roots to the Ural Mountains.





Kiasma’s 18:00 closing time on Sundays leaves me with less than an hour to get to the contemporary art museum by tram. I sweet talked the admission clerk into letting me in for the last 30 minutes and whizzed by the colorful and exuberant Ola Kolehmainen photographs in the “A Building is not a Building” exhibition to scoot over to “Choosing my Religion.” The first photograph to confront me was of a woman clad in a burka. The oft-seen yet still troublesome image of a human being hidden from view, subjected to visual censorship, set a provocative tone to the spacious installation with light coming in through skylights draped with images of blossoms on screened panels. Using pictures, music, paintings and iconography Marita Liulia contrasts the viewpoints of nine religions. She posits a question that is seldom asked since most adherents of religions did not select their faith but rather inherited it from geography. If we were to choose rationally, would we still pick the faith assigned from birth? Compare and choose!
The exhibition injected an unreasonable amount of energy for a Sunday evening at the end of three weeks around Europe. Viewing contemporary art often infuses similar inspiration. After play acting dinner scenes between members of the Medici family over the single subject matter of what would become the collection of paintings at Florence’s Uffizi Gallery (“Honey, guess what I commissioned today,” he asks. “Another ‘Madonna and Child’ perhaps?” she coos), the freedom of Paris’ Beaubourg (officially the Centre Pompidou but a name that has not stuck with French audiences) had filled me with enthusiastic visions and refreshed spirit. Modern art at its core epitomizes the liberation from artistic constraints, the very same that enshrined previous art movements. Established religions thrive on the enforcement of rules. “Choosing my Religion” exposes practices and dogma to dare us to invent our own interpretations. It closes with a few choice words like:
“If you don’t know where you are going, any road will take you there.” - the Talmud
“Everyone has their own truth.” - Chinese saying
“What you think you become.” - the Upanishads
“Every established religion was once a heresy.” - Henry Thomas Becker
“A too ardent faith can lead past paradise.” - Japanese proverb
I rushed to the museum bookstore to buy a copy of the exhibition catalogue. Unfortunately its hardcover-only price (45€) allowed me to peruse but not acquire.




The traditional restaurant in the residential Eira neighborhood displays the sort of charm and respectability that come with age. We talked about sisu, the fortitude and resilience of the Finns, the stoic toughness that also exhibits a simple side. “We are relaxed, we don’t worry,” Leena said. “When you hear the trams, you know everything’s fine in the country.”
A coffee consumption more than twice the European average might help keep the population sanguine. Sisu in a vacuum it is not. Like other nations on the continent Finland privileges the collective welfare of its citizens. Access to health care, education, work protection and paid holidays is not construed as reward for certain professional or social classes. The U.S. system is as unfathomable as it is unconscionable even if it might result in lesser taxation. The promise of a new, radical occupant in the White House will not bring about an end, even a change, to the stranglehold of inequalities on the country. The national debate barely includes universal health care. The notion of morality and decency in labor laws is not so much utopian as it is nonexistent.
The tram squeaks across the drizzle of an early April night. Leena will board a train at Järnvägstorget, which she will top off with a 45-minute walk on snow-covered roads even as I insisted her husband ought to give her a lift. "A good time to think," she said.
I would opt for a sauna to mull on the end of kaamos, the dark season, but public facilities close on Sundays.
Tomorrow I will have fourteen hours and fifteen minutes aloft to contemplate the (eventual?) end of my own kaamos. ”L’Affaire Francis Blake” will stave off any introspective attempt. I will blame the Blake et Mortimer adventure for distracting me and postponing the (eventual??) end of an illusion.
I do not know it yet but I will land at LAX to be fingerprinted and photographed by an immigration officer, potential criminal that I am.
No illusion there. Welcome home.
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